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The K6 can be combined with different microphone modules to provide a wide variety of polar patterns. The K6 professional condenser microphone modular system can be powered either by its internal 'AA' size 1.5 V battery or by 12- 48 V phantom power.

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It is similar to the K6 powering module but is powered by 12- 48 V phantom power only, for use where battery power is not required The K6P can be combined with various microphones modules to produce microphones with a variety of pick-up patterns.

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The ME 66 is a short shotgun microphone capsule designed for use with K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments.

The ME 67 is a long shotgun microphone capsule designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphones must be placed at a distance from the sound source.

The MKH 416 is a short shotgun interference tube microphone. Its has excellent directivity and compact design. A superb all-round microphone for film, radio and television, especially for outside broadcast applications.

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The MKH 60 is a lightweight short shotgun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications.

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The MKH is a lightweight long shotgun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning.

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A new edition of our enormously popular dynamic mic, optimal for recording drums, guitars, almost any instrument, and even group vocals.

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The classic dynamic mic for live vocals, now updated and improved.

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Supercardioid, Dynamic, and suited to nearly any miking situation. A true classic.

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The ME 62 is an omnidirectional microphone capsule suitable for K6 and K6P powering modules. It can be used for reporting, discussions and interviews.

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The ME 64 is a cardioid microphone capsule designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications

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The ME 65 is a super-cardioid microphone capsule designed for use with the K6 and K6P powering modules. It is especially suited to vocal and speech applications.

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The MKH 20 is mainly used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omnidirectional microphones do not suffer from 'proximity effect'.

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The Symmetrical transducer design of the MKH 30 produces an unusually wide and smooth frequency response. It is particularly suited to soloists and small instrumental groups and can also serve as an 'S' microphone in MS stereo applications.

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The MKH 40 has a large number of applications, for example as a main microphone, especially in lightly reverberant or acoustically less perfect room, with instrumental group or for speech applications.

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The super-cardioid MKH 50 offers a higher attenuation of diffuse-field and lateral sound than the cardioid MKH 40. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejections.

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The MKE 44P is a back-electrect pre-polarized condenser microphone with two cardioid microphone capsules set at 90 degrees for XY stereo applications.

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The HD-25 is a closed dynamic compact professional monitoring headphone offering high attenuation of background noise. Performs exceptionally well in high noise environments, e.g. , ENG, sound reinforcement, studio monitoring, and audio equipment testing.

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Reproduction of high sound pressure levels across the frequency range allows for critical and enjoyable listening in a noisy environment. The sturdy lightweight, closed dynamic HD 25SP offers up to 16 dB of passive noise attenuation.

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